The video accompanying this text focuses mainly on Devora’s cleaning and beautification gestures. The process however is contextualized with visuals of the United Nations presence and military access warnings as well as the sounds of bombing heard from only a few kilometers away. Mansura Revisited was not performed in a vacuum: the ruins of Mansura cannot be abstracted from the contested physical and psychosocial geographies. As an artwork, beyond the living memories of the live art performance, Mansura Revisited continues to circulate as a video projection/installation. The video (which includes documentary material from both Eléonore and Devora and which was created by Devora in collaboration with videographer Jeroen Deraeve) critically and poetically engages the role that aesthetics can play in regional decolonization while pointing to the symbolic and physical legacies associated with expulsion and occupation.